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Stars round on Ed Sheeran over Band Aid row: Spandau Ballet’s Tony Hadley tells the singer to ‘shut up’

Ed Sheeran has openly criticized the use of his vocals in the latest iteration of the Band Aid charity single, « Do They Know It’s Christmas?, » sparking a contentious debate within the music industry.

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As figures like Spandau Ballet’s Tony Hadley and producer Trevor Horn express their discontent with Sheeran’s remarks, the discourse extends beyond personal grievances to touch on larger ethical and artistic considerations.

Ed Sheeran’s disapproval of his vocals being repurposed for the 40th-anniversary version of « Do They Know It’s Christmas? » has ignited a row among industry veterans and participants.

Sheeran, unhappy with the decision to reuse his contributions from a 2014 recording, publicly expressed his desire to dissociate from the project. This stance has notably clashed with the opinions of original Band Aid members and the song’s enduring legacy.

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Criticism from Industry Veterans

The reaction to Sheeran’s critique has been varied, with some of his industry peers pointing out the potential harm in his public disavowal.

Tony Hadley, one of the original voices in the 1984 recording, suggested that Sheeran should « shut up, » emphasizing the charitable intentions behind the project.

Producer Trevor Horn, who revisited the production for its anniversary, expressed regret over the discord, noting he would have omitted Sheeran’s parts had he known his reservations.

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Ethical Debates and Artist Discontent

This new controversy has reopened discussions about the song’s impact and its portrayal of Africa.

Critics, including London-born Ghanaian musician Fuse ODG, argue that the song perpetuates harmful stereotypes and oversimplifies complex issues.

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Fuse ODG’s vocal refusal to participate in the 2014 recording aligns with a broader critique that questions the efficacy and ethics of such charity singles in today’s context.

Public and Industry Backlash

As the revamped version makes its debut to mixed reviews from the public and professionals alike, the industry reflects on the evolving understanding of global charity efforts.

While some listeners reminisce over the iconic lines delivered by legends like Bono and Sting, others resonate with Sheeran’s call for a more nuanced approach to aid and representation.

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Despite the current disputes, the Band Aid project continues to be a significant cultural and charitable phenomenon. Its creators, Sir Bob Geldof and Midge Ure, defend its mission and impact, emphasizing its role in addressing famine and poverty, particularly in Africa.

As the debate unfolds, the music industry grapples with balancing artistic integrity, charitable goals, and the changing landscape of global activism.

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